Aunt Peppie is the opening song of the show. Dick and i thought it would be good to sort of give hints to what is coming. Even the moon and the chair are hints. Of course, the picture on this site is too small to see it, but in the bottles are a lamp, a paper boat floating on water, a letter, soap and a rat’s skeleton.
Power Cut tells the story of the band playing on a festival where the electrified sound was very bad. They played and played but the sound was horrible and too loud. Then there was a power cut and they played acoustically, unamplified. Suddenly, everybody was dancing and their gig was a great success. I visualised the power cut as if caused by a rat eating a cable in the PA system.
Op de Brug ia s song written by Jasper de Beer about how the Amsterdam Klezmer Band met. Dick Hauser, the director of the theatre show Some Kind Of Golem associated the story with James Ensor’s painting ‘L’Entrée du Christ à Bruxelles’ and i thought it would be nice to put figures from that painting on an Amsterdam bridge welcoming the band.
This is an illustration coming with a song by Gijs Levelt about the cavias of his children, Although they look cartoony, they really are drawn after the likeliness of the two pets. The idea came from director Dick Hauser, who thought it should be cool if they looked a bit out of place in a night club. I added the Fleischer brothers feel to it.
Mendele is a song by Job Chajes for Some Kind Of Golem. It was the last song to have a lyric and it turned out to be about the covid crisis, as the band had been unable to tour for two years. But beautiful things happened in that period as well, for instance the musicians finally had time to work on unfinished solo compositions and projects. The Van Gogh reference became a bit of a running gag, but i think everybody can see what is meant here.
Theo’s song ‘Breekbrood’ is one of my favorites in the show. For the theatre show I made a closed door, leading to a room that resembles Van Gogh’s room in Ardès. I just made the perspective slightly more ‘correct’ and made the composition of clean planes and lines, giving the place something eerie rather than cosy. And studying the Van Gogh painting, i wondered why there was a chair in front of that door, while the room was painted from inside. Did van Gogh not wanted to be disturbed when he painted it? Did he want to keep Gauguin out? The high view perspective on the room gives the feeling as if we’re looking through a spy cam.
This empty room, with a chair in front of the door to lock it and keep people out, while it seems empty… I thought it was fascinating, and made more perspectives as if the viewer is a ghost in this abandoned room.
The empty frames provide an even more uncanny atmosphere. And then suddenly we are outside. Alone, in a landscape that is both alien and familiar. Where are we heading?