Although i have toyed with the idea to make catsuits for Comic Sexy, i only made three, and they were used in the videoclip for Multiple Reality Disorder.
Also, they are worn by a character in The Identity Machinery, which is a project i work on in collaboration with my partner Laura A Dima. Surf around a bit, you might see a lot of nice stuff!

The female members of the Spinshots used to get a tailored Comic Sexy dress i designed. Here is Loes, one of the baritone Sax players in a ‘Lava Caliente’.

Flora Dolores was the singer of the Spinshots, a project i started to perform my musical compositions. Flora is, besides a great singer, a good friend and a perfect model for the dresses of Comic Sexy. She wore several of them on and off stage and i made some nice pictures of her as a Comic Sexy Ambassadorette.

In their first period, the Spinshots played wearing turbands and Indian wedding suits that I had tailored for them. This was before we called our music ‘Neo Exotica’ (I always liked ‘Rhythm & Tunes better) and when, for communicational reasons, we started calling our music Neo Exotica we stopped the turband thing.

The black and white photo was made by Annuska Steixner, the photo of The Spinshots at Winston Kingdom was made by Walley van Groningen and the ones with the green curtains in the back were made by Vi Mahabali

these are the offical pictures i drew for the design of the ‘Exotica’ dress for Flora Dolores. Later i used it as one of the dresses in the ‘Comic Sexy’ line ‘The Magnificent Seven’.

Cleans-o-tech is a fictional product and there was a time The Spinshots, the band I was in for 11 years, pretended to be sponsored by it. here you see a dancer performing as a bottle of Cleans-o-tech during a show.

The original drawings with the design for the ‘Dorita’ – one of the ‘Magnificent Seven’ for ‘Comic Sexy’.

This design is a warped mix between a nurse uniform, a 60s space outfit and a punk attire.

‘Leader of the Pack’ is a dress I designed for the brand I started with my childhood friend André. The brand was called ‘Comic Sexy’ and people could order dresses that were exclusively made for them by a couturier. 

Customers could choose from seven designs in the ‘Magnificent Seven’ collection, which was the only collection anyway – we stopped producing in 2020. However, the dress would be ‘made to fit’ in colours that were unique to us: we had bought kilometers of yarn and had that painted in a lab in Poland before it was woven into a strong and stretchy.

So our couturier kept storage the fabrics in 13 different and exclusive colours and we had a site where people were assisted on how to measure themselves. We developed a way to have the dresses ‘tailored to fit’ through 16 measurements, which was something you could do at home. So there was no child labour involved, and the dresses were of the highest quality. Dresses would last as long as you kept the same body proportions. They were ultimately designed to make you shine: I spent a long time deciding where the coupe seams should be and in what exact direction they’d go to make everything looking like it wanted to rise. The ultimate effect would be that clients looked as if they belonged in a comic.

 These product photos were made by Jelle Mulder

‘Lava Caliente’ is a dress I designed for the brand I started with my childhood friend André. The brand was called ‘Comic Sexy’ and people could order dresses that were exclusively made for them by a couturier. 

Customers could choose from seven designs in the ‘Magnificent Seven’ collection, which was the only collection anyway – we stopped producing in 2020. However, the dress would be ‘made to fit’ in colours that were unique to us: we had bought kilometers of yarn and had that painted in a lab in Poland before it was woven into a strong and stretchy.

So our couturier kept storage the fabrics in 13 different and exclusive colours and we had a site where people were assisted on how to measure themselves. We developed a way to have the dresses ‘tailored to fit’ through 16 measurements, which was something you could do at home. So there was no child labour involved, and the dresses were of the highest quality. Dresses would last as long as you kept the same body proportions. They were ultimately designed to make you shine: I spent a long time deciding where the coupe seams should be and in what exact direction they’d go to make everything looking like it wanted to rise. The ultimate effect would be that clients looked as if they belonged in a comic.

These product photos were made by Jelle Mulder

‘Future Mistress’ is a dress I designed for the brand I started with my childhood friend André. The brand was called ‘Comic Sexy’ and people could order dresses that were exclusively made for them by a couturier. 

Customers could choose from seven designs in the ‘Magnificent Seven’ collection, which was the only collection anyway – we stopped producing in 2020. However, the dress would be ‘made to fit’ in colours that were unique to us: we had bought kilometers of yarn and had that painted in a lab in Poland before it was woven into a strong and stretchy.

So our couturier kept storage the fabrics in 13 different and exclusive colours and we had a site where people were assisted on how to measure themselves. We developed a way to have the dresses ‘tailored to fit’ through 16 measurements, which was something you could do at home. So there was no child labour involved, and the dresses were of the highest quality. Dresses would last as long as you kept the same body proportions. They were ultimately designed to make you shine: I spent a long time deciding where the coupe seams should be and in what exact direction they’d go to make everything looking like it wanted to rise. The ultimate effect would be that clients looked as if they belonged in a comic.

photography by Jelle Mulder

‘Encantada’ is a dress I designed for the brand I started with my childhood friend André. The brand was called ‘Comic Sexy’ and people could order dresses that were exclusively made for them by a couturier. 

Customers could choose from seven designs in the ‘Magnificent Seven’ collection, which was the only collection anyway – we stopped producing in 2020. However, the dress would be ‘made to fit’ in colours that were unique to us: we had bought kilometers of yarn and had that painted in a lab in Poland before it was woven into a strong and stretchy.

So our couturier kept storage the fabrics in 13 different and exclusive colours and we had a site where people were assisted on how to measure themselves. We developed a way to have the dresses ‘tailored to fit’ through 16 measurements, which was something you could do at home. So there was no child labour involved, and the dresses were of the highest quality. Dresses would last as long as you kept the same body proportions. They were ultimately designed to make you shine: I spent a long time deciding where the coupe seams should be and in what exact direction they’d go to make everything looking like it wanted to rise. The ultimate effect would be that clients looked as if they belonged in a comic.

Photos by Jelle Mulder

‘Encantada’ is a dress I designed for the brand I started with my childhood friend André. The brand was called ‘Comic Sexy’ and people could order dresses that were exclusively made for them by a couturier. 

Customers could choose from seven designs in the ‘Magnificent Seven’ collection, which was the only collection anyway – we stopped producing in 2020. However, the dress would be ‘made to fit’ in colours that were unique to us: we had bought kilometers of yarn and had that painted in a lab in Poland before it was woven into a strong and stretchy.

So our couturier kept storage the fabrics in 13 different and exclusive colours and we had a site where people were assisted on how to measure themselves. We developed a way to have the dresses ‘tailored to fit’ through 16 measurements, which was something you could do at home. So there was no child labour involved, and the dresses were of the highest quality. Dresses would last as long as you kept the same body proportions. They were ultimately designed to make you shine: I spent a long time deciding where the coupe seams should be and in what exact direction they’d go to make everything looking like it wanted to rise. The ultimate effect would be that clients looked as if they belonged in a comic.

Photos by Jelle Mulder

‘Dolores’ is a dress I designed for the brand I started with my childhood friend André. The brand was called ‘Comic Sexy’ and people could order dresses that were exclusively made for them by a couturier. 

Customers could choose from seven designs in the ‘Magnificent Seven’ collection, which was the only collection anyway – we stopped producing in 2020. However, the dress would be ‘made to fit’ in colours that were unique to us: we had bought kilometers of yarn and had that painted in a lab in Poland before it was woven into a strong and stretchy.

So our couturier kept storage the fabrics in 13 different and exclusive colours and we had a site where people were assisted on how to measure themselves. We developed a way to have the dresses ‘tailored to fit’ through 16 measurements, which was something you could do at home. So there was no child labour involved, and the dresses were of the highest quality. Dresses would last as long as you kept the same body proportions. They were ultimately designed to make you shine: I spent a long time deciding where the coupe seams should be and in what exact direction they’d go to make everything looking like it wanted to rise. The ultimate effect would be that clients looked as if they belonged in a comic.

The ‘Dolores’ initially was designed for Flora Dolores, the singer of the Spinshots. André used to live in Indonesia where I frequently visited him. The first dress found the way out of in my sketchbook through a local tailor – I brought the dress back to Amsterdam and Flora performed in it for a few years, until I made the ‘Exotica’ for her. Then the idea rose that this would be a great start for a clothing line.

Photos by Jelle Mulder

‘Dorita’ is a dress I designed for the brand I started with my childhood friend André. The brand was called ‘Comic Sexy’ and people could order dresses that were exclusively made for them by a couturier.

Customers could choose from seven designs in the ‘Magnificent Seven’ collection, which was the only collection anyway – we stopped producing in 2020. However, the dress would be ‘made to fit’ in colours that were unique to us: we had bought kilometers of yarn and had that painted in a lab in Poland before it was woven into a strong and stretchy.

So our couturier kept storage the fabrics in 13 different and exclusive colours and we had a site where people were assisted on how to measure themselves. We developed a way to have the dresses ‘tailored to fit’ through 16 measurements, which was something you could do at home. So there was no child labour involved, and the dresses were of the highest quality. Dresses would last as long as you kept the same body proportions. They were ultimately designed to make you shine: I spent a long time deciding where the coupe seams should be and in what exact direction they’d go to make everything looking like it wanted to rise. The ultimate effect would be that clients looked as if they belonged in a comic.

Photos by Jelle Mulder